RABID TECHNOLOGY

by NORTH EXIT

supported by
Cheveu Miracle
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Cheveu Miracle ↪ (cyberpunk synthwave / 2018 / Finland // )
XARGON
XARGON thumbnail
XARGON I cannot speak highly enough about NORTH EXIT's latest production. This definitely has a formative dark-cyber-synth sound to it and boy, what a ride, this is furious, unrelenting, and shows just how talented this artist is. Love the cover art on this one too. Favorite track: WEAPONS OF MASS DISRUPTION.
SokK
SokK thumbnail
SokK Wow... Such a huge leap forward. Don't misunderstand me : North Exit always showed a strong potential, but Rabid Technology is such a hit album and displays so much progress in term of composition, production and maturity... DO NOT miss this one guys : it is seriously one of the best Cyberpunk / DarkSynth you'll get this year. Favorite track: RABID TECHNOLOGY.
palehorse666
palehorse666 thumbnail
palehorse666 good ass cyberpunk is just what the doctor ordered. knew this dude's next big project was gonna be sick. support this artist, you fucks! Favorite track: NEON BLOOD.
Ken
Ken thumbnail
Ken Cyberpunk / industrial type synth. Are you here for cyberpunk music like I am? Then smash the buy button! Favorite track: MALFUNCTIONING FLESH.
Blotto Drescher
Blotto Drescher thumbnail
Blotto Drescher great album. in the veins of the old Perturbator Stuff with some Carpenter Brut influence, but still a unique style. fast paced stuff! Favorite track: WEAPONS OF MASS DISRUPTION.
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about

2120.

The year in which what little freedom was left, got turned into nothing more than an illusion. A twisted joke told by the government to keep people quiet. To retain order.

The goal was not safety. The goal was not to make life better, easier and more comfortable as they claimed.
What it really was, was maximum surveillance, access to any and all thought and control over everyone’s physical body at any time, anywhere.

SOL-N. The Nanite bill. The self-replicating razor blade that would slit any oppositions throat once and for all. Without spilling a single drop of blood.

Or so they thought.

Every living being on planet earth was constantly monitored, their thoughts recorded and archived, strangers spying on their very lives through their own eyes. There was no implant to remove, no wire to cut. Obey or die.

Faceless operators behind green glowing screens decided if intervention was necessary.
The operators options were limited to direct control over the individual, a knock-out routine or a self-destruct sequence that killed instantly. Thousands of these so called TO’s or termination orders got executed...every day.

But while the self-proclaimed savers of humanity sat in their expensive apartments inside their ivory towers, gazing down on the masses, tides began to turn.

Despite their best efforts, rebellion was knocking on their door...with a sledgehammer.

A mysterious figure known only as „Terminus“ and a band of rebels managed to infect the Nanites with a virus.
The original intention to only cut the machines' connection to the government got skewed however, when the group discovered that even if a human body dies, the Nanites remain active for a while.

Liberating as much of the living as they could, they soon started to „revive“ the recently deceased by infecting their Nanites and granting them full control of the bodies they inhabited to strengthen their forces, turning those corpses into mindless, rabid killing machines.

The only way of converting them to serve the cause however, was a direct connection yet there was only one person outfitted with the tech to do the job.

With billions of machines in full, autonomous control over thousands of human bodies roaming the streets...what could possibly go wrong?

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Written and produced by NORTH EXIT

Album artwork by Ariel Zucker-Brull

Story written by NORTH EXIT

Special thanks goes to Leonardo Calamati, Lucas Pierrot and Perttu Lindroos

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credits

released December 20, 2018

license

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about

NORTH EXIT Espoo, Finland

80s. Neon. Cyberpunk.

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